Hi! I'm Cassiopeia, she/her • I have no idea what I'm doing so please leave any and all expectations at the door • If anyone is wondering yes, it is a Momo or The Men in Gray reference
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💙headcanon: togekisses can actually stick their neck out far like a seal, they're just a flying football by default
I’ve always loved the idea of Norman and Ray getting together during the search for Emma but not wanting to do much until they find Emma because they both love her as well and want her there. But I’m never sure how Emma losing her memories would said relationship and plans afterwords
Oooo Anon I don't know if you're the same person who sent this Norray ask but if you haven't read @salsae's (so what am I defending now?) I highly recommend it because I've essentially taken it as canon and reread it probably once a month.
Beautifully written with loving nuance, her work was (and still is <3) foundational for my interpretations of the trio when I first got into the series in 2021 and was searching for quality fanfic.
In regards to how Emma's memory loss would play into things, I think they'd all have good and bad days at first. A balance of being grateful they defied the odds to have a chance of creating a future they can be proud of together at all, of Emma being alive and well and living life with Alex, of being reacquainted with all the things big and small that made them fall in love with her and having the opportunity to love new ones. Of reconnecting with these two boys who for reasons her mind can't explain but her heart knows without a shadow of a doubt feel like home.
(Chapter 180)
Of perceived selfish grief over wishing Emma would regain her memories when a confused look is thrown their way after they reference something from their childhood (isn't it enough that she's there?). Of self-doubt that she'll ever be able to live up to the Emma everyone loved or relearn the language she sees the boys communicate without words, of seeing what she believes is a brief flicker of hope die in everyone's eyes when she reminds them of all the little ways she's not her (is it more cruel they found her instead of being able to believe their Emma lives on somewhere in distant lands?), of anger over having those memories just within her reach only for her dreams to deny her each time.
But as the days turn to months and the months turn to years, things get better. The sentiments Emma shares in chapter 180 hold true.
Only now today and tomorrow is by their sides.
new tag game: the thing you most often pretended to be as a kid—whether it was a horse, a bride, a queen, a specific character, a knight, a lawyer, a baby, anything—is symbolically representative of you currently. what is it for you?
I introduced a friend to ATLA a few nights ago, and they had only known two things about the entire show: the cabbage meme, and that Aang apparently wants to ride every large and dangerous animal he can possibly find. We got through the first five or so episodes, and my friend noted that Aang is exactly what a 12-year-old would be like if given godlike powers, and that this is literally just what he could do with airbending. He can’t even wield any of the other elements, and he’s one of the most powerful people on the planet, because he’s an airbender.
And that got me thinking.
This snippet from Bitter Work is one of the few pieces of concrete information we get about the airbenders, at least in ATLA. Iroh is explaining to Zuko how all four of the elements connect to the world and to each other.
Fire is the element of power, of desire and will, of ambition and the ability to see it through. Power is crucial to the world; without it, there’s no drive, no momentum, no push. But fire can easily grow out of control and become dangerous; it can become unpredictable, unless it is nurtured and watched and structured.
Earth is the element of substance, persistence, and enduring. Earth is strong, consistent, and blunt. It can construct things with a sense of permanence; a house, a town, a walled city. But earth is also stubborn; it’s liable to get stuck, dig in, and stay put even when it’s best to move on.
Water is the element of change, of adaptation, of movement. Water is incredibly powerful both as a liquid and a solid; it will flow and redirect. But it also will change, even when you don’t want it to; ice will melt, liquid will evaporate. A life dedicated to change necessarily involves constant movement, never putting down roots, never letting yourself become too comfortable.
We see only a few flashbacks to Aang’s life in the temples, and we get a sense of who he was and what kind of upbringing he had.
This is a preteen with the power to fucking fly. He’s got no fear of falling, and a much reduced fear of death. There’s a reason why the sages avoid telling the new avatar their status until they turn sixteen; could you imagine a firebender, at twelve years old, learning that they were going to be the most powerful person in the whole world? Depending on that child, that could go so badly.
But the thing about Aang, and the thing about the Air Nomads, is that they were part of the world too. They contributed to the balance, and then they were all but wiped out by Sozin. What was lost, there? Was it freedom? Yes, but I think there’s something else too, and it’s just yet another piece of the utter brilliance of the worldbuilding of ATLA.
To recap: we have power to push us forward; we have stability to keep us strong; we have change to keep us moving.
And then we have this guy.
The air nomads brought fun to the world. They brought a very literal sense of lightheartedness.
Sozin saw this as a weakness. I think a lot of the world did, in ATLA. Why do the Air Nomads bother, right? They’re just up there in their temples, playing games, baking pies in order to throw them as a gag. As Iroh said above, they had pretty great senses of humour, and they didn’t take themselves too seriously.
But that’s a huge part of having a world of balance and peace.
It’s not just about power, or might, or the ability to adapt. You can have all of those, but you also need fun. You need the ability to be vulnerable, to have no ambitions beyond just having a good day. You need to be able to embrace silliness, to nurture play, to have that space where a very specific kind of emotional growth can occur. Fun makes a hard life a little easier. Fun makes your own mortality a little less frightening to grasp. Fun is the spaces in between, that can’t be measured by money or military might. Fun is what nurtures imagination, allows you to see a situation in a whole new light, to find new solutions to problems previously considered impossible.
Fun is what makes a stranger into a friend, rather than an enemy.
Fun helps you see past your differences.
Fun is what fuels curiosity and openmindedness.
Fun is the first thing to die in a war.
astonishing how good it can feel to get some chores done sometimes. you’ll be sitting there like damn i am some type of horrid little smeagol like creature who should be crushed to death. but then you do some laundry and you’re like wrow. im actually gods most fuckable soldier.
i love this panel so much and i wish i had the like thinking and art analysis skills to explain why other than "he looks like a sopping wet cat and i think thats wonderful"
thinking about how the grief seed madoka used to purify homura’s soul gem (3rd or 4th timeline we see?) is sayaka’s
“don’t let me turn into this” she says, holding the corrupted soul of her best friend
sorry for being gone for a bit, i animated these creatures because i feel like it
Do you ever have the urge to like test your chronic illnesses? Like push it too far and you KNOW it's gonna bite you in the ass but like what if it doesn't??? What if you were just being really dramatic this whole time????
I feel like half my brain is a concerned adult and the other half is a belligerent child who just really wants to go for a run.
One of the funniest things about early Batgirl Cass is that everyone around her is just like wow she's so silent and competent and deadly I can't imagine what it's like to be so cool and then you look at Cass's POV and as well as being suicidal and depressed she's so overstimulated and running on constant anxiety. Like sure she's quiet and spooky but that's because she doesn't know what to say but she knows if everyone in this room doesn't walk out alive she's going to kill herself so you WILL listen to her or she'll take your entire gang of 50 men down in 10 seconds. Batman's like "Look at that discipline she took them down and moved right on to the next gang the grind never stops isn't that right Cassie?" And meanwhile Cass's brain is blaring constant alarms because there are 50 people in the city in potentially fatal danger right this second and she has to save every single one even if it means no food or sleep until she's done. Barbara keeps suggesting self help audiobooks but Cass doesn't have time for that there are people that could be in trouble and if even a single one of them dies it is Cass's fault for not being good enough and she's a horrible person who will burn in hell. This is a totally rational way to live why is everyone but Bruce so confused by it?
I love how Mushi-shi (the anime) depicts chronic illness through the paranormal and abstract. Ginko is literally a medicine man, and his clientele are closer to suffering an affliction than experiencing a haunting. He doesn't "exorcise the demons through prayer;" he treats the condition the person is suffering from, which often involves removing the mushi, but sometimes they need to be lived with, and sometimes even a successful treatment can leave lasting damage from the time the mushi resided in the person's body. It's the best depiction of chronic illness I've seen portrayed through an abstract lense. I'm not even learning anything about myself or my life by watching it; I just understand and appreciate each case the show portrays. Part of what sets it apart is that Mushi-shi is very good at depicting the emotional toll of chronic illness without moralizing it. Sometimes chronically ill people die of depression from their conditions, sometimes after you're cured you miss or take joy in certain elements of the disease, having a friend play with you in quarantine is invaluable for your spirit but comes at the deadly risk of contagion. I'm only 4 episodes in but it's really resonating with me. Teenage chronically ill me definitely couldn't handle this show, but 25 year old me loves it.
i feel like Norman still gets headaches even after the lambda symptoms have stabilized in the human world, and like every couple of months a migraine will just take him out for a day or two
reminder to stay cozy!!!
Now that you say it a warm cup of chocolate or tea does sound nice.... and safe to say I am not leaving my blanket (the cold will eat away my bones)
animation being treated like a genre instead of a medium is something that actually makes me go insane. beauty and the beast is a romance. the emperor's new groove is a buddy comedy. big hero 6 is a superhero movie. moana is an adventure film. the lion king is a drama. treasure planet is sci-fi. if i was talking to someone who hadn't seen these movies before, and they weren't specifically interested in animation as a medium, then i wouldn't necessarily assume they'd enjoy all of these. and that's just disney movies! try telling an anime fan that fruits basket and fullmetal alchemist are the same genre and see how they react!
New Part: 10 Lethal Injury Ideas
If you need a simple way to make your characters feel pain, here are some ideas:
1. Sprained Ankle
A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.
2. Rib Contusion
A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.
3. Concussions
This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.
I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.
4. Fractured Finger
A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.
5. Road Rash
Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.
6. Shoulder Dislocation
This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.
7. Deep Laceration
A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.
This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.
8. Burns
Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.
If you want to explore writing burns, read here.
9. Pulled Muscle
This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.
10. Tendonitis
Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.
This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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I'm seeing Gävle goat popping up more on my TL. Feelings are mixed. For your consideration: - People have been trying to burn this thing down since 1966, when it was first erected. It was first burnt down on NYE 1966. - Burning the goat is illegal and carries a fine and/or prison sentence. - That punishment is somehow part of the appeal. - 38 out of 57 Goats have been vandalized. - Both sides keep trying. Neither side has let up. That's the joke now. Also: Gävle has a website, with a countdown for when the goat gets put up! There'll be a webcam and everything! -> https://www.visitgavle.se/en/gavle-goat
Also Also: The official twitter account literally leans into the joke. It's bio reads:
"Jag är världens mest kända halmbock, gillar jul och har svårt för tändstickor. I’m THE straw goat of the world, I fancy Christmas and I don't play with matches."
I'm team burnination. I'm also team "if they legalize it, the fun of it actually ends". Is arson bad? Yeah. Is it bad to want the goat to burn? Nah. I think this is a very human thing to want.
Sorryyyyyy I’ve been listening to the TPN S2 OST
I’m not even that much of a sound design enthusiast in general but I’m reading the goldy pond arc and I’m in absolute MOURNING just thinking about what we could have had (DO YOU KNOW HOW BADLY I WANTED TO SEE AN 11 YEAR OLD PUNCH HER FUTURE FATHER FIGURE IN THE BALLS???!?!????!)
Muijika’s theme fits her so perfectly I’m thinking about the other characters having their own
Would Yuugo’s be discordant at the beginning? Would that part play during his mental breakdown and fade out when he passes out? Would it get more orchestral and similar to Emma’s as it goes on? Would it be victorious and notable before you ever see the camera pan up to a smoking rooftop after he breaks leuvis’ds mask? Would it synchronize with Ray because he’s on the rooftop with him??
Would his theme reference tea parties? Would it get more hopeful by the time it gets back to the bunker?? Symbolising that he accepts his new family??? WOULD IT BE IN TUNE WITH NAT’S COOL KING BALLAD?? WOULD IT PLAY WHEN EMMA WAKES UP FROM HER COMA??
Would it be complementary Lucas’s??Would they harmonize when they finally see each other again???
Would Oliver’s theme be similar to Emma’s to symbolize being leaders of their respective groups? Would it mirror Ray’s when he asks to be left behind???
Would the techno themes be more present whenever minerva is mentioned to foreshadow their technology being more advanced than anything they have had before (like in the testing rooms?)
WOULD THE MUSIC THAT PLAYS WHEN GOLDY POND IS PREPARING MIRROR THE TRAINING MUSIC THAT PLAYED FOR THE GRACE FIELD KIDS???
When Emma throws the axe at Luce would you be able to hear it slice through the air? The billow of Leuvis’s ridiculously dramatic cape? Could you hear the children breathing heavily as they run away? Would you only be able to hear jake, monica and theo’s running because violet and emma are used to hiding their footsteps????
Would Emma and Ray’s footsteps in the forest get softer and softer the more they learn and watch from yuugo?? WOULD THEIR FEET NOT CLICK ON THE CONCRETE??
Would Nous talk in an overlap with Nouma’s voice after he eats her? Would Nous’s scream of outrage be good enough voice acting to rival emma’s iconic scream from the first episode?? Would it sound so viscerally human for a moment you feel bad for them??
Would you hear rustles in the trees despite nous and noma aren’t moving to foreshadow paula and violet getting into sniping position??
Would the snap of the wires they set up for traps sound different when they spring them depending on how dangerous they are?
WOULD THE MUSIC THAT PLAYS WHEN THE MONSTERS ARE COMING BE LIKE SIRENS OR A DISTORTED/EERIE CHEERFUL VIBE??
Would the guns nigel specifically engineered have a different sound compared to regular bullets? Would Emma’s flash bullet have a shrill sound that freezes everything as the bullet hits leuvis in slow motion?
DON’T EVEN GET ME STARTED ON THE ROTATING CAMERA ANGLES I WANTED TO SEE!!! UTILIZING THE POV SHOTS FROM THE FIRST SEASON ONLY THIS TIME ITS THE DEMONS BEING WATCHED!!?!??!
Would the scene when Emma gets stabbed and goes into an underwater dream state have more muffled music (maybe a mix of her own theme, Norman’s and Isabella’s lullaby) that gets louder and clearer the more she regains conciousness?
These are all incredibly specific and unrealistic expectations but I think I deserve to be a little delusional when it comes to this show
I’d love to hear any sounds you also would have loved to hear in tpn Season 2 (done right)!!!!
*Comics were in a separate poll, found here
Related Posts: • A comparison between chapter 25's title page and the bonus sketch from chapter 23 • "Norman’s hug is so heart-wrenching to look at because he fully believed in the illusion of the house and Isabella’s love being unconditional" • "Ray being either so desperate for affection he goes to Isabella while utterly loathing himself for giving into that moment of weakness, or she manipulated him into doing it while they were in front of the other children to remind him of the power she holds in this intricate and delicate hell they’re living in, making him suffer another small defeat in a line of many."
my mom got me this little thing and im obsessed with him.... little creature..
ok promise i’ll keep the fandom alive
Okay, the scene where Mami kills Kyouko is actually my single favorite scene in PMMM. I think about it all the time. I love it so much. Which sounds horrible, I know? But I think I love it because of its honest look at the characters in a desperate situation. And how in-character it is for all of them. It’s such a fantastic bit of storytelling from the writers.
Like Mami would absolutely be the first one of them to snap like that. She’s such an emotionally unstable character. Mami, more than any of them, wants to stop witches and save people because that’s how she makes peace with her lifestyle. So, learning that they’ll all turn into witches… of course she’s going to try and eliminate that possibility before it happens, even if it means killing her friends.
But even more so than Mami’s characterization in this scene, I love Madoka’s. I think it would be easy to assume that Homura would be the one to stop Mami, because Homura is seen as the colder character. So, I love that it’s Madoka. Madoka makes the quickest call she can in that moment to save Homura. Maybe they could’ve talked Mami down, and at that point, that would’ve been what Homura tried first. But Madoka couldn’t risk it and needed to react right away.
It shows us that in the main timeline, Homura is giving Madoka the time and space to make her decisions carefully/fully stop her because she knows that Madoka is impulsive when it come to her friends.
Basically it shows their characterization as this: Mami will always try and make the call that she believes will save the most people, Madoka will always try and make the call that saves her friends, and Homura will always try and make the call that saves Madoka. And that’s because for each of them, those are their salvations from the cruelty of being a magic girl.
OP made the post unrebloggable but said it's fine to screenshot and I'm in love with this