Do you think Bruce Wayne is an abuser in canon?
Personally, it seems undeniable but??? Apparently not.
I think he is, but I also think Golden and Silver age Bruce would never.
See, Golden and Silverage Bruce had a good mix of good person trying to help these kids, but you can kinda tell he might not be the best parent, but that's because no parent is perfect. But you can still tell Bruce loves his kids
then you see in after Tim Drake that there's a bit of a push that the Robins aren't really his sons, (which fair, Tim had parents at the time) but also, it kinda changed the dynamic for Batman and Robin.
I am a firm believer that Bruce is a good person, but a bad Parent, but then I remember the times he's literally brutally beaten his children into submission and-- recent Writers don't understand that you can't write an abuser to be a hero. You just can't. How are you going to have BATMAN BEAT THE SHIT OUT OF HIS KIDS???
as an immigrant child, I can excuse a slap here or there (If I ever had kids I would NEVER, but culture and time), but slapping your kid so hard they fall to the ground? punching them hard enough to the point where blood is flowing? That's Abuse. Capital A Abuse.
it's ooc, but most of these events haven't been retconned, and Bruce is continued to be written as this macho man who beats his kids for dominance, so he's an abuser.
I was doing some looking into Bagua, specifically the meanings of the Ri and Kon trigrams, for obvious reasons. And I found something quite interesting concerning the Attributes each trigram holds.
At first, I was hoping that they’d relate in some way to the personality or symbolism surrounding the medicine sellers themselves. But that didn’t seem to entirely be the case. Ri has the attributes “light-giving, humane, dependence”. The first two make sense, as he DOES bring metaphorical light (truth and understanding) by exorcising Mononoke, and he has been shown to express kindness towards the spirits that end up in these pitiable situations. But dependence? That makes…less sense.
Until I realized that Dependence is (in one way or another) a factor in the stories of all the Mononoke he’s exorcised.
Children aborted against the wishes of their mothers, the aftermath of a codependent incestuous affair, a battered woman who’s too afraid to leave the family she despises, an evil spirit desperate for the love of others, and a dead woman trying in any way she can to get the truth of her death brought to light….all of these Mononoke are spirits who were dependent on others, whether that’s their victims or the ones who wronged them. And all of them were exorcised by the wielder of the Ri sword—the sword of the dependence attribute.
Conversely, Kon’s attributes are “devoted/yielding.” Though we’ve only seen him exorcise one Mononoke so far, it was the spirit of a woman who was so devoted to her work it destroyed everything else inside of her. And since the other two movies in his trilogy also seem to be taking place in the Ooku, it seems like they will also deal with the consequences of letting your devotion to a cause destroy your personhood.
TL;DR: both Ri and Kon seem to specialize in spirits that have attributes of their respective trigram. Also, both their trigrams have associations with women: Ri is associated with the second daughter and Kon is associated with the mother.
this video has been going around for a while but the English subtitles didn't match the energy of the spoken French at all. i had to fix it.
reblog to spread this version
I like the idea of Nightwing being a well-known figure among the hero community, but relatively unknown to the public outside of Gotham and Blüdhaven. Like, he was the first ever sidekick and a kid of one of the Justice League's founding members. Most older heroes are his aunts and uncles, the first generation of sidekicks are his friends, and to the younger ones, he is a mentor and older brother figure. The hero community loves him. But outside of that, he is just a local hero. He sticks to the shadows, and while the people of blüdhaven love him, and the people of Gotham have at least heard of him, he is not very well known.
That is until the Justice League hosts some sort of public event with a lot of younger heroes attending, and one journalist gets an idea for a fun, lighthearted story. They go around asking different heroes and sidekicks who their favorite hero is, and 80% have the same answer: Nightwing
Look. I’m going to be honest with you. Adopting that hard anti-plastic surgery stance while trans people’s lives and right to transition is at stake is absolutely horrendous timing. Knock it off.
DC Twitter must have been INSANE when it got out that Superboy’s dads were Superman and Lex Luthor. Holy shit. The memes. The ship wars. The homophobes. The mpreg jokes. People would have lost their fucking minds. Lex Luthor releases a statement like “he’s a clone of me and Superman no birth was involved” and people are like KINDA GAY OF YOU TO HAVE A SON WITH ANOTHER MAN, LUTHOR. Lexcorp’s PR team locks themselves in a conference room and refuses to come out for love or money.
Suddenly struck with a need to explain to you how boat pronouns work (I work in the marine industry).
When you're talking about the design of the boat, you say "it".
When the boat is still being built, your say "it".
When the boat is nearing completion, you can say "it" or "she".
When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".
When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.
If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").
If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")
If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").
If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.
If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.
I hope this has cleared things up so that you may not be in danger of misgendering floating objects.
Adobe is going to spy on your projects. This is insane.
Hey everyone, my name is Abdelmajed. I don’t usually talk much about myself, but today, I want to share a little piece of my story.
I was born and raised in Gaza, a place that has always been my home 🏡. I grew up surrounded by my family, my friends, and the streets that I knew like the back of my hand. Life wasn’t always easy, but we had love, laughter, and dreams. I used to think that no matter what happened, home would always be here. But life has a way of changing things in ways we never expect.
Over the past months, everything I once knew has disappeared. The streets that were once filled with children playing are now silent. The houses that held so many memories are now just rubble. And the people I loved—some of them are gone forever. 💔
You know what's so bitter about Yoohyun leaving Yoojin in order to protect him? The fact that he never really understood the social implications of it.
We know that Han Yoohyun doesn't care for social cues, laws and regulations, all mannerisms and behaviour towards people are done simply to please his brother. And so- he doesn't realise that by denouncing Yoojin, as a highly praised and popular S-class, he has condemned him in society. Yoohyun leaves as soon as he can, publicly announces that he's a burden, and the media is having a field day where Yoojin is made a villain.
Unfortunately, it's only made worse by Yoojin's lost desperation to find out why his brother, his child, who he has raised all his life has left him behind. Has spit in his face and is so cold, and that maybe Yoojin has failed him all this time. His desperation in trying to get to talk to Yoohyun at least once, to give him a birthday cake, to awaken so that maybe he can reach him. It only ends up adding to this manic, ungrateful and spiteful image that the world views him as.
Yoojin is condemned by society. Yoohyun gets mad that he's a hunter but Yoojin has no other option. He can't get a regular job because his reputation has been dragged through the mud and because the constant public attention is too burdensome for any employers. Seok Simyeong has constantly berated Yoojin, fucking up his mental state and as the 'spokesperson' of Yoohyun, Yoojin must think its true.
Yoohyun tries to protect him from hunters through this instinctual thought of predators and prey, but society is far too nuanced and he doesn't understand. By trying to leave him out of the dungeons, he left him to the world.
Oh Han Yoohyun, you've doomed him.