Avid Transformers and One piece fan :33š«¶19
67 posts
Cora Latz and Etta Perkins were a lesbian couple who met in 1972 and were together until Perkinsā death in 1998. In 1973, they held a commitment ceremony; in 1998, they privately renewed their vows with the staff who cared for them at the Jewish Home for the Aged.
GLBT Historical Society
āCat in a cottage windowā by Ralph Hedley (1848-1913)
A story to boost the morale of a broken country.
thereās nothing wrong with overly self-indulgent shit like honestly
make that fuckin beauty and the beast au with your otp
draw your favorite character broken and bloody for no reason
make a self-insert thatās super important and powerful
write porn of that obscure ship centered entirely around your personal kinks
headcanon your faves as your sexuality, gender, etc
have fun man
i mean in the past iāve made fun of all these things but iāve grown up and chilled out and honestly? fiction is your platform to go nuts. have a great time. do what you want to
just respect other peopleās boundaries and donāt go forcing your headcanons down other peopleās throats, because they deserve to have a good time too
enjoy fiction however you want to and donāt let other people tell you how itās supposed to be enjoyed
Orion!!!!!
Iām meathead
Life goes on
Welcome to my blog!!
You can call me BW (bookworm)
my pronouns are up to you
Iām 19
I like reading books + fanfiction and watching shows ^^
Aka - One piece, Transformers, 9-1-1, Tolkien, Batfamily, etc.
Iām currently in the process of trying to plan/write a fic - so if i end up falling through Iāll change my status :D
I also like to draw and probably will post my art every now and then
I tend to be on and off with my activity ( ; _ ; )
Welcome to my blog!!
You can call me BW (bookworm)
my pronouns are up to you
Iām 19
I like reading books + fanfiction and watching shows ^^
Aka - One piece, Transformers, 9-1-1, Tolkien, Batfamily, etc.
Iām currently in the process of trying to plan/write a fic - so if i end up falling through Iāll change my status :D
I also like to draw and probably will post my art every now and then
I tend to be on and off with my activity ( ; _ ; )
Thatās all!! Thank you!! :D
Weāve all got our comfort wordsāthose trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.
1. āVeryā and Its Cousins
Why Itās Overused: Itās easy to tack on āveryā for emphasis, but itās vague and doesnāt pull its weight.
Instead of: āShe was very tired.ā Try: āShe was exhausted.ā / āShe dragged her feet like lead weights.ā
š” Tip: Use precise, vivid descriptions rather than vague intensifiers.
2. āLookedā and āSawā
Why Itās Overused: Itās functional but flat, and it often tells instead of shows.
Instead of: āHe looked at her in disbelief.ā Try: āHis eyebrows shot up, his lips parting as if words had failed him.ā
š” Tip: Focus on body language or sensory details instead of relying on generic verbs.
3. āSuddenlyā
Why Itās Overused: Itās often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.
Instead of: āSuddenly, the door slammed shut.ā Try: āThe door slammed shut, the sound ricocheting through the empty room.ā
š” Tip: Let the action or pacing create urgency without needing to announce it.
4. āSaidā (When Overdone or Misused)
Why Itās Overused: While āsaidā is often invisible and functional, using it in every dialogue tag can feel robotic.
Instead of: āI canāt believe it,ā she said. āMe neither,ā he said. Try: Replace with an action: āI canāt believe it.ā She ran a hand through her hair, pacing. āMe neither.ā He leaned against the counter, arms crossed.
š” Tip: Donāt ditch āsaidā entirely; just mix it up with context clues or action beats.
5. āFeltā
Why Itās Overused: Itās a shortcut that tells instead of showing emotions.
Instead of: āShe felt nervous.ā Try: āHer palms slicked with sweat, and she couldnāt stop her leg from bouncing.ā
š” Tip: Let readers infer emotions through sensory details or behavior.
6. āReallyā and āActuallyā
Why Itās Overused: They add little to your sentences and can dilute the impact of stronger words.
Instead of: āI really donāt think thatās a good idea.ā Try: āI donāt think thatās a good idea.ā
š” Tip: If a sentence works without these words, cut them.
7. āWalkedā or āRanā
Why Itās Overused: These are go-to movement words, but they can feel bland when used repeatedly.
Instead of: āHe walked into the room.ā Try: āHe strolled in like he owned the place.ā / āHe shuffled in, avoiding everyoneās eyes.ā
š” Tip: Use verbs that convey mood, speed, or attitude.
8. āJustā
Why Itās Overused: It sneaks into sentences unnecessarily, weakening your prose.
Instead of: āI just wanted to say Iām sorry.ā Try: āI wanted to say Iām sorry.ā
š” Tip: Delete ājustā unless it adds essential nuance.
9. āThoughtā
Why Itās Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.
Instead of: āShe thought he might be lying.ā Try: āHis story didnāt add up. The timelines didnāt match, and he wouldnāt meet her eyes.ā
š” Tip: Immerse readers in the characterās perspective without announcing their thoughts.
10. āNiceā and Other Vague Adjectives
Why Itās Overused: Itās generic and doesnāt give readers a clear picture.
Instead of: āHe was a nice guy.ā Try: āHe always remembered her coffee order and held the door open, even when his arms were full.ā
š” Tip: Show qualities through actions instead of relying on vague descriptors.
Final Tips for Avoiding Overused Words:
1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your characterās voice and the sceneās tone.
2. Read your work aloud: Youāll catch repetitive patterns and clunky phrases more easily.
3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.
Heyy :)))
any writing tips for beginners?
First off, can I just say, it is genuinely such an honor to get asked this question? It makes me so happy.
The biggest thing I would recommend for beginners is just to write. The more you write, the more used to it you get. I know that doesn't sound like very productive advice, but it is the truth. I have been writing fics since I was twelve and I am twenty one now. My first fics were shit. One of my earliest ones (its a BSD Akutagawa x Reader fic called Project X I started when the show first came out back in 2016 and finished in 2022 that is still up on my wattpad, which is linked in my pinned post, if you want proof I am not lying) is genuine shit, but I put a lot of passion and a lot of time into it (to the point that if you read the book, you watch me learn how to write). It was the practice and time spent that did the trick. So write and write and write. You don't have to post it anywhere or show it to anyone until you feel like you are ready (or at all). The more you do it, the more everything will fall into place.
The second thing I would recommend is to write the stories that you want to read, whether fanfiction or not. You have to be invested in whatever you're making in order for it to work. If you don't care, you wont put the effort in. You wont take the time for it. The only reason I started writing in the first place was because I would read fic after fic and I never saw anyone else putting the ideas I had on to paper (this actually lead to me starting a mini trend in the BSD fic community on wattpad lol). This will also help, if you are putting your work out into the world in some way, with the idea of reward. Whether through notes or readers or whatever, as long as you like what you are writing and you want to read what you are making, it is worth it and it is enough.
Third is to read. One of the ways I developed my own writing style was by taking note of the things I liked about other peoples writing styles (doesn't matter whom. I take a lot of the way I write from poets and authors like Annie Dillard and Terry Pratchett as well as other fic writers). So much of writing is about aesthetics and personal preference. Once I knew what I defined as 'good writing,' I could figure out how to morph my own work into something I deemed 'good.' This also counts for reading the things you yourself have written. I go back and re-read and edit my own work all the fucking time, both out of an enjoyment for the stories I create and in an effort to make them better. The best thing you can do is to read your work out loud. Listen to what you change when you read it out loud, what sounds odd or uncomfortable, where there are gaps. It really helped me when I first started writing fics almost ten years ago, and it still helps me now.
This is a weird one, but when you're writing about emotions, try to feel the emotion yourself. Think about what something like fear does to a person. Picture the situation you are writing and take the time to think about the ways in which you personally, or your character, would react to it. Writing reactions, body movements, things like that, has always been the most difficult for me, especially when its in-between dialogue and not just big blocks of text. Taking a moment and closing my eyes, feeling the shiver down my spine or the burst of sudden joy, really helps pin down the ideas and figure out how to describe them.
Also, if you know other languages, think about the things you like about the way those function and how you can incorporate that into your work. A lot of the way I structure sentences comes from ancient Greek, for example, with my usage of participles and timing. It doesn't have to be an ancient language though! And it doesn't even really have to be another language. All that matters is that you are actively thinking about the way the words interact with one another and what is pleasing to you. English is such a flexible and fun thing, there is so much meaning in every word and if you want to, it can be really fun to play around with. (I am a philologist. I am sorry for the little rant.)
That being said, it is important that you understand the grammar of the language you are writing in. This might just be a personal thing, but incorrect grammar tends to really bug me. Once you know the rules, they are easier to follow and it makes a huge difference. Also, incorporating techniques like varied sentence length/structure and literary devices like metaphor, allusion, ekphrasis, and simile can really make a piece more enjoyable for a perspective reader (whether the reader is yourself or someone else.)
Write what you know, write what you love, write what you want, write what you need, write. Don't worry about it being 'good enough,' if it is on the paper it is good enough. The hardest part is starting. Once you've got that under your belt, anything is possible.
Now that this post is almost excessively long, I am gonna make myself stop. I really hope at least some of this made sense and that you find it helpful.
<3 <3
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1. While youāre writing, try to build an explanation for their feelings. What triggered their emotion? Is their reaction rational or are they overreacting? Do they fight, flight, fawn or freeze when provoked? Do they feel threatened?Ā
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2. Show, donāt tell. Describe what is happening instead of plainly stating the situation. Try not to use words like sad, happy, devastated, in pain, angry, nervous, scared, or worried. They cut back on the emotional integrity of the scene and make it hard for readers to connect with your characters. Here are some different behaviors for different emotions.
-Eager-
Bouncing up and down
Unable to sit still
Breathing deeply
Fidgeting
Pretending to do something
Trying to stay busy
Constantly looking at the clock
-Nervous-
Red and hot face
Sweaty palms
Voice cracks
Shaky hands
Biting nails
Biting lips/inside of cheek
Wide eyes
Shallow breathing
Heart racing
-Excited-
Wide smile
Squeal/scream
Bouncing up and down
Fidgeting
Playing with hands
Tapping foot
Talking fast
Tapping pencil
Pacing back and forth
-Scared-
Curling up/bringing knees to head
Closing eyes
Covering ears
Stop breathing or breathing quickly
Biting nails
Shaking
Gritting teeth
Hugging/squeezing something tight
-Frustrated-
Stomping
Grunting/mumbling/yelling
Deep breaths
Red and hot face
Hitting/kicking something
Pointing
Straining/veins become more visible
-Sobbing-
Eyes filling up with tears
Eyes burn/turn red
Red cheeks
Face becomes puffy
Pursed lips
Holding head down
Hyperventilating
Fast blinking
Trying not to blink/holding back tears
-Happy-
Smiling wide
Laughing loudly
Cheeks hurting
Talking loudly
Higher pitched voice
Animated/expressive
-Upset-
Walking slowly/shuffling feet
Head down/avoiding eye contact
Biting inside of cheek
Dissociation
Keeping quiet
Fidgeting
-Bored-
Pacing back and forth
Sighing loudly
Complaining
Fidgeting
Blank face
Looking for something to do
Making up stories
Talking about random topics
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3. Try and bring some trauma into your characterās emotions. For example, something might happen that reminds them of a suppressed/traumatic memory. This is an easy way to hook your reader and have them really feel like your character is a real person with real emotions. They might have some internal conflict they need to work through and a certain situation reminds them of that. They might become irritable at the thought of their traumatic experience and they might snap at whoever is nearby.Ā
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4. Most characters wonāt dump their entire backstory or feelings in a conversation. Try and reserve your characterās emotions to make more interesting scenes later on. For example, your character may be triggered and someone may ask them whatās wrong. Will they give in, soften up and share? Or will they cut themself off and say theyāre fine? Also take into account that your character might not know the other character very well and wonāt be comfortable sharing personal information with them, like details regarding their trauma.
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5. Last but not least, you donāt need to have a major event happen to connect emotionally with your audience. You donāt have to kill off a character every time you need to spice up your story, even simple interactions can just help your readers understand your character better. Show how they react to certain topics or situations. Describe their feelings, their surroundings, their body language. Their defense mechanisms will help the audience to better understand what kind of person they are.
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what fucking hell dimension are yāall blogging from
āyou cant just make every character you like gay-ā gay gay gay gay homosexual gay gay gay boykisser girlkisser gay gay gay gay
Fanart for the wonderful IsekaiGirl on AO3! This is from chapter 28. Please go read this wonderful fic, itās truly a treat to read and the author is an amazing writer!
https://archiveofourown.org/works/61098169/chapters/156103549
"Pretty Pretty Please I Don't Want to be a Magical Girl" Bios!
NAME: Aika (she/her) AGE: 15 Main Protagonist CV: Anairis QuiƱones
BIO:
Aika is an easily excitable and energetic girl. She's generally optimistic and very friendly. She's always eager to try new things as long as it's not her fulltime job of being a magical girl.
As soon as her magical girl duties are brought into the picture, her demeanor changes. She checks out, and often looks for the quickest solution to solve the issue. No flashy transformations and special moves here. She's good with a metal baseball bat or a rocket launcher.
All Aika wants is to live a normal life, make friends and go to school. Unfortunately, like every main protagonist, trouble manages to follow her wherever she goes.
___________________________________
NAME: Zira (she/they) AGE: 16 Love Interest Best Friend CV: Bennett Abara
BIO:
Zira is everything Aika wants to be. Painfully average, under the radar and a self proclaimed loser.
She's a smart girl but has a hard time applying herself. Instead of paying attention in school, and doing extracurriculars, Zira would much rather be reading her favorite magical girl manga "Moon Sailor".
After Aika forces her friendship upon them, Zira now has to tag along on all of Aika's escapades and experiences new things. Ew. However, they admire Aika deeply and admire her even more after Aika's magical secret comes to light.
___________________________________
NAME: Hoshi (any/they/them) AGE: unknown Magical Sidekick CV: Christine Marie Cabanos
BIO:
Hoshi is a magical star being sent to Earth to find the chosen one. They made a great choice with Aika, as she's amazing at her job. The only issue is she hates it and is often trying to dodge responsibilities (and Hoshi).
When Aika first started, and still had her heart in it, Hoshi was definitely more neurotic and acted as your typical mentor/magical sidekick. But over time, they gave up on trying to tell Aika what to do and also became a little more apathetic. Aika was getting the job done at least, so what's the problem?
Hoshi still has to make sure Aika doesn't completely give up on being the Star Guardian: Guardian of the Stars, which Aika finds annoying.
___________________________________
NAME: Eclipse (he/him) AGE: 15 Minor Antagonist CV: Aleks Le
BIO:Eclipse is a flamboyant and theatrical individual whose showmanship is out of this world. He refers to himself as
"Eclipse: Servant of Darkness".
He was a D-list antagonist that Aika and her team would fight on occasion. Mostly just saving citizens from him being a nuisance. Eclipse has deluded himself into thinking that he's Aika's rival, main antagonist and love interest. Their love is simply forbidden as he's chosen the path of darkness and her, the light.
After Aika ran away, he managed to find her again. However this time he actually has powers??? Where did those come from? It's as if he's made a deal with darkness itself.
___________________________________
NAME: Lady DeVoid (she/her) AGE: Old Main Antagonist/Big Bad CV: Shara Kirby
BIO: Lady DeVoid is darkness itself. She's a mysterious being with an incomprehensible amount of power. Power that is currently weakened and that she actually has no idea how to use. She can't seem to remember for some reason...
All she knows is that a long time ago she was defeated and banished by a Star Guardian and that she now wants revenge. The only power she has at her disposal is creating particles of darkness that she can use to possess animate or inanimate objects to create monsters. She prefers others do her dirty work.
She enlists the help of Eclipse to spread these particles with the hopes that it'll eventually destroy the Star Guardian.
___________________________________
NAME: Miss (she/her) AGE: 39 Side Character CV: Michele Knotz
BIO:
Miss is Aika and Zira's very tired teacher. Looking at her, you might assume she hates her job, but it's quite the opposite. She pours everything into her work and into her students, leaving very little time for her personal life.
She's recently started trying to get it together (after her ex-wife left her) but is still struggling to find that work-life balance.
Prior to Aika enrolling, Miss was Zira's only friend at school and, though she'd never admit it, Zira's probably the closest thing she has to a friend also (oof). She's subsequently become a secret Moon Sailor fan too.
me when i first watched arcane season 2: OMGG HOLY SHITT THIS SEASON IS FRICKING AMAZING THE WRITING AND ANIMATION HOLY CRAP YESSSS CAITVI AND JAYVICK LETS GOOOOO THE MUSIC OH MY GOD THE MUSIC YESSSSSS
me now that itās been a few months to fully process arcane season 2: Yeah the animation was beautifully done and the foreshadowing done by the animators is amazing and absolutely one of the best ways any animation studio has gone about telling a story, the music was astounding and every single song was immaculately executed. And the portrayal of the characters by the VAās was done beautifully.
My friend: ā¦What about the writing??
Me: Oh it was absolute dog shit.
humanformers Optimus ideas got me in a chokehold and i had to get it out of my system before i implode--
+bonus comic:
EDIT: i made a post for megs' design
Wip/concepts of a TFP/RID15 au where the TFP kids show up in RID15 now older and working with offer William fowler
with all the bs going in the US, the only way i can bring a smile to my face is when i remember that baby boomers, gen X, and possibly older millennials, consumed lead when they were younger. imā¦im not jokingā¦
back in the 70s/80s doctors/scientists issued a statement to the public that they should make sure their kids not eat paint flakes, or chew on blinds bc lead was used in a lot of products like food cans, paint, blinds, etc (and doctors would ask parents this when they were brought to the hospital/clinic) kids chew and eat shit they arent supposed to, i would know, i was one of these kids.
and if u think im lying my dad told me this straight up. he blatantly told me mid convo that he would chew on the old lead weights that they used for fishing when he was a kidā¦.
so when I start wondering why magas are the way they areā¦. i remember they consumed lead paint.
oh and that tv stations had to issue ads to remind parents that they have children and to love themā¦.
Something something c*cking a gun
ao3 being down unexpectedly is giving me flashbacks from 2023 and i dont like it
my (very white) family during kendricks half-time performance (unsurprisingly) voiced their displeasure of him, going so far to say that it had sucked. This, obviously, is bullshitš Kendrickās half-time performance was downright genius, with a copious amount of symbolism regarding America and its current state. Samual L. Jackson as Sam was absolutely genius on Kendrickās part, as well as the formation of the unconnected American flag with the dancers. I love his performance, and when he played Not Like Us, I started singing and dancing like no tomorrowš I could care less about what my family thought of his performance, but the ignorance and obvious racism regarding their commentary and side-comments was both disappointing and unsurprising. On a funnier note, Kendrick looking straight into the camera when he said āHey Drakeā was funny as hellš And Iām so glad I got to see it live!! Kendrick was badass and I hope to see more stuff like this from him later lol.
Today, I am overwhelmed with despair š
I want to say thanks for every support, but the donations have been minimal, and my family's need is urgent ā¼ļøšš»
We are currently in a critical situationāif we can just make it through this phase, things may improve šļø
I want to remind you that my husband is in the north, and I am alone with my children in the south š
Communication is bad; the last time I spoke with him, he described the situation as catastrophic and stressed the need for significant improvements as a first step šš»
I sincerely hope that my family will never be left to face this struggle alone after everything we've endured š©
Your contributions are what can help reunite us in a safe and livable place šļø
I urge everyone to donate, no matter how small, or at the very least, amplify our plea by sharing and engaging with our message šš»
Please don't abandon usā we are utterly exhausted š
š Our campaign is vetted by šµšø @/gazavetters List at #291
Thank you all for your support šš»