Having finished the DLC, I am thinking of this scene. The scene from Ranni's ending, where she replaces Marika as a Goddess and Marika vanishes, finally passing away.
And one of the biggest twists in the game, alongside one of the major unsolved mysteries in the story is the reveal that Marika herself shattered the Elden Ring for some purpose, with the most sympathetic reading being that this was the only way she had to escape from the control of The Greater Will and recover her freedom.
The DLC expands on Marika, giving us an origin for her.
That is, of the horrors her people suffered at the hands of the Hornsent, the same people she would command Messmer to wage War upon them and commit what seems to have been a brutal genocide.
Now, my personal reading is that, after what happened to her people, Marika did a metaphorical deal with the devil. Either The Elden Beast or Metyr arrived to The Lands Between near Marika's village, and she accepted to be a Goddess and a servant of The Greater Will in exchange for her vengeance. and to be perfectly fair to Marika, this was the closest to Justice her people would ever get.
Now, Count Ymir suggests Marika was influenced by flawed advice from Metyr, the Mother of Two-Fingers, who lost contact with The Greater Will. But he also believes the moons are just the closest celestial object to our planet, so he is full of Shit. Because that doesn't yet explain The Elden Beast.
In any case, Marika made that deal and became a Goddess and she got her vengeance. And she fulfilled her duty as accorded, Conquering and expanding and forcing everyone to bow to The Greater Will. Who knows what she felt during this time. If she lusted for power as her empire grew, or if she was horrified and felt trapped by learning what becoming a goddess meant.
Because everything about Marika is always specifically filtered through someone else. Even the closest we get, her very words spoken by her, are filtered through Melina.
The second closest we get is Marika's village, where we see the things she left behind, Specific actions she and she alone did for nobody else but the memory of her village. and I say this because This:
is the closest we ever, ever get to meeting Marika. a broken face of someone who has long stopped being human, he don't see her eyes, we don't hear her voice. Yet you know what I see here?
Marika's Tired. So, so, so, so... Tired.
Was that it? that at the very end, Marika simply grew tired? was she, in her last moments, thinking back and remembering The Grandmother by the tree, and wishing she could be there for one final slumber?
And so maybe, regardless of what The Age of Stars means, on whether it is the "good ending" or not, this is the ending Marika wanted. For someone, any of her children, to hopefully succeed her and let her rest at last.
And what we see is that in the last moments of the Shaman whose entire home village was cruelly massacred (and who delivered blood upon blood onto those responsible and unto the innocent, and whose entire life was now defined to the service of some greater power), she is being cuddled in the arms of her step-daughter (of whom she may be Ranni's biological father), a moment of peace and warm before the end of a long road.
Maybe one of the things the DLC was meant to show us wasn't why Marika did what she did. It was to show us that it was time for Marika to go back home at last
Red Robin (2009) #25
This is actually the reason you two are siblings WHAT IS WRONG WITH YOU
Any chance of a drawing of CJ meeting the 03 guys? either apocalypse or when Dee reunites with them in the good timeline?
I...may have went a little overboard. But this image was what popped into my head when i read your ask, and it would not leave until it was finished.
Anyways, This is CJ is meeting them but not them meeting him. That happens a little later since he's being stealthy in the vents atm. He does that quite a bit, actually. Shelldon will keep him hidden there for as long as he asks to be.
This is probably about the time the 03s first showed up in the apocalypse future. They've only just found out about Dee like a minute or so ago and Leon's taken off again. I should really write this whole scene out (or comic it at least) since i can imagine it pretty well. (the only thing holding me back is that i haven't quite figured out how Dee would have died, and i'm fairly certain that would be mentioned during such a scene lol)
Thank you!
The idea of dragons in modern times is so fun because imagine a hot summer day on your vacay and go to use the hotel pool and staff is like “valued guests we regret to inform you that the pool area is out of service at the moment, we apologize for the inconvenience”
And people like “wtf why” looking out their hotel room window and there’s this. This dragon just curled up in the pool chilling, literally, cooling itself down
Some of the staff are trying to gently shoo him away and the dragon does a soft little “rrrrrr” like a grumpy cat and a warning puff of smoke and they’re like “fuck it i don’t get paid nearly enough for this” and no ones using the pool today sorry!
this is why LH!Fleo isn’t invited to peepaw karaoke night god what a buzzkill~
Odd Man Out @threestripeslider
Mutant Ninja Midlife Crisis @mutantninjamidlifecrisis
We’ll Meet Again Soon @chiangyorange
Trial and Error @apatheticrobots
Fk you TPN season 2.
Here, have some Capital Arc demons.
They deserve a proper goodbye I think
Oracle isn't just a name. It's an identity that is inextricably intertwined with Barbara Gordon reclaiming herself and her sense of agency over her body and life after becoming disabled.
The last 13 years of dedicated activism have gotten us back to a point where Oracle is acknowledged and Babs is portrayed as a competent adult woman, and I'm grateful she finally has her team back. But DC still refuses to acknowledge and uplift her as disabled, undermining the core thesis of Barbara's character in the modern era. And as long as she's not visibly disabled…she's still not Oracle.
Oracle was created because two people (Kim Yale and John Ostrander) saw a horribly misogynistic story and went "no. We can do better. We SHOULD do better." Oracle was a rebirth, a revitalization, a refusal to allow women to be relegated to the sidelines and margins of superhero comics regardless of physical ability.
To refuse to portray her as visibly disabled undermines everything that Babs as Oracle stood for, both in-universe and in real life. It betrays the identity's foundations as a reclamation of agency and heroism. It betrays her creators' intent as an avenue for disability representation and a revitalization of a character summarily discarded because the company saw no further use for her. It betrays the millions of readers who read her stories for nearly 25 years and enjoyed stories brimming with strength, independence, and heroism that depicted a disabled character at their center.
It's doubly frustrating because it's clear that DC is slowly moving Cass back into the "primary Batgirl" role, allowing us to have a semblance of Oracle back, but they seem to think of Oracle as an interchangable identity with Batgirl that Babs would have had even if TKJ had never happened. And outside of Batgirls (which ended last year), they won't even meet people halfway and make Barbara an ambulatory wheelchair user who uses forearm crutches and/or a cane when she's mobile.
Again: I'm grateful that Oracle is being acknowledged again. I'm grateful Babs is back to being a competent adult and team leader who has friends outside of Gotham. But I continue to be frustrated at the company-wide sexism keeping her from fully moving on from Batgirl and the ableism prohibiting her from being shown as visibly disabled.
Do you ever become mutuals with someone you share an intense interest with and it becomes this limbo of "I want to be your friend SO fucking bad but I'll eat a shoe before dm-ing first"
Hi! I'm Cassiopeia, she/her • I have no idea what I'm doing so please leave any and all expectations at the door • If anyone is wondering yes, it is a Momo or The Men in Gray reference
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