Explore the world, one post at a time
This had to be drawn
WARNINGS: Reader dies! YES, there will be written gore and YES, the boys will be very sad. (vomiting, bleeding, guts, choking, drowning, all of it) Hurt/no comfort.
------------------------------------------------------------------------------ "Sorry, Garrick. No living prisoners." The soldier's voice in his ear breaks every last thing Kyle knows and holds dear. – – – – – – – – – – – – – – –– – – – – – – – – –– – – – – – – – – – – – –
Work for the SAS is an odd sort of thing. Kyle likes to think of it like standing in the ocean, dipping your feet in the waves and letting its state consume you. Some days, it's just simple and easy. Filling out a few papers and letting everything pass over you. Some days are rough, and some are brutal. Just like the ocean, though, this line of work is more than deadly. It's a constant risk that every single soldier has signed themself off to that at their own discretion, they all know that the date of their death could well be tomorrow. But there's an element of pride that comes with that. It's humbling, sure, but the pride is there, because you've operated in situations the average person couldn't even hope to manage, pulled off odds that inspire both a nauseating fear and a spark of courage that only grows into a raging inferno the more you do it. Still, Kyle sits with you at his side in the armory, making jokes and sharpening his kit as you polish yours. If he had to pick a favorite person he had met in the service... it would be you. Don't get him wrong, Price is a phenomenal captain, just like Ghost is a clinically effective lieutenant and Soap is a great work buddy and gifted sergeant, but you... god, none of them could even hold a candle to that. His loyalties lie with the team, yes, but everyone knows where the heart of that fierce, caring nature funnels. And why shouldn't it? You were like him. Quiet, but clever, a problem solver in your heart of hearts and Kyle was a sucker for someone who had at least a little bit of emotional intelligence about them. He still remembers the moment that really endeared you to him. He'd been injured, nearly fatally on a mission, but you... stayed with him. After he'd gotten a not-that-gentle sponge bath from a stressed-looking nurse, you had stepped in, done something that not many would dare to do. Washed his hair. Sure, it might sound small, but it wasn't. Your deft hands worked for an hour at least. Sectioning first, saturating the coily hair with water, shampooing it, everything, taking his broken body into your hands like he was a baby bird and fixing what you could, keeping him warm enough to last the night. You'd been wordless, too, apart from gathering his consent to help him clean up fully. You just... did that. For no other reason than you wanted to see a teammate thrive as much as he could. After that, you'd been inseparable. Maybe that's why his eyes are so adoring as he watches you sharpen your (favorite) knife, an old gift from him, but he'll never tell. Your voice is flooding the space, neatly tucking into every last corner and leaving every gun and ammo case with the beautiful, ghosting memory of you like oleander flowers. Deadly, but bright and lovely all the same, burned into the folds of his brain. He never wanted to lose that. – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
Kyle hadn't been on the mission that took you away from him. He remembered how you described it to him before you left, soft-eyed and quiet as you finally let him out of the pin you'd had him in on the sparring mats, helping him up with a hand despite knowing full well he wouldn't need it. He takes that hand. "It'll be easy, Gaz, I swear. Just an in-and-out. Easy as pie, right?" He didn't worry then. He hadn't had any reason to. He remembers it so well, feeling his cheeks round with a smile as he bumps his forehead against yours, how you grin and playfully pat his ass in response. "Right. Don't fall out of any transport." His voice was soft, then. Cheeky as he teases you just to hear you joke back with him. "I think that's your job, sergeant."
There it is. Kyle feels his heart squeeze around nothing, pumping his blood just a little faster. He's so glad you can't see the blush on his cheeks, because he just knows he'd be so nervous he'd pass out right then and there. "Yeah yeah, go fuck yourself."
Your smile is crooked, but it's every last thing he needs. It's the food in his belly and the blood in his veins and he loves it so fucking much. – – – – – – – – – – – – – – –– – – – – – – – – –– – – – – – – – – – – – –
"Sorry, Garrick. No living prisoners." The soldier's voice in his ear breaks every last thing Kyle knows and holds dear, hands him a small bag containing the items they thought were yours. It's been weeks already, he knows the odds are slim, everyone knows the odds are slim, but he held out for that miracle. A miracle that never came. It feels... empty, now. That night, when transport came back without you, Kyle had been fucking outraged. He had stormed to Price's office and chewed out his own captain because how in the hell could this have happened? Why were you left behind? No one had any answers, but the sympathy offered almost felt worse. Soap's quiet solemnity around him felt like some sort of insult, though Kyle knew it wasn't. Ghost's... weird hanging around and staring was a sweet gesture, but deeply saddening. But it's now, after all of that, that his worst fears come to life. Every feeling seems to flare and broil and Kyle excuses himself to his quarters before he falls apart. Most of the job is mental. You can be the most physically strong person on the field and you can still lose because you couldn't hold it together well enough. Kyle knows that. But part of that mental aptitude comes with knowing the grief he feels is necessary. He doesn't want to let you go. He clutches your dog tags in one hand, and your favorite knife in the other as he sobs with a force he hasn't had since being a little schoolboy, crying to his mother after scraping his knee. This is no scraped knee, though. This is an injury that will likely never scar, it's ugly and it will always hurt and Kyle knows that, but he would take this over letting you go any day. Because, when all is said and all is done, Kyle knows himself, and he knows that there is no one who would ever hope to compare to who you had been for him. When his mind clears, he holds the knife in shaky hands, and kisses the flat of the blade before polishing it the rest of the way. It still sits there now, on his dresser. Take a look for yourself, wouldn't you? Just don't touch. He treasures the thing.
River Cartwright (Jack Lowden) in Slow Horses Season 4 Episode 6
What you’ve done.
Since y'all liked my last post so much, here, have another Noir ramble:
I have four (4) different Noir's in my head. They are as follows:
he is shorter than all of them, he is but a child. He is very angry at the world and will stab you if you do anything slightly evil. Please do not hurt him any more than he already has been hurt. (He has been hurt a lot) In May Parker's words:
So technically he is still an extension of the 2009 comic, but. The universe is really different, and Noir has an entirely different personality. So my headcanon is that this is a different noir- easily seen by the different pallet, going from just sepia to full monochrome. He is my least favorite, but mostly because he is the most mentally stable (imo). He's the private eye, he fights gods on the weekends, and (this gets the most points) he has a cat. He also (artistically) is the most creature, which is a massive win for all Spider-Noir fans.
I'm going to be completely honest, I have not played Shattered Dimensions. But I've watched a bunch of playthroughs, and I have to admit, this Noir has the best fit out of all of them. I know, I know, hot take. But have you seen that spider-symbol on the back of his jacket? And that turtleneck? Also he is so fruity (/pos). Like, he goes "time for some razzle-dazzle" and "You read my mind, sister" and calls Hammerhead "Mister." Idk, he's just so endearing. Also he gets his own spidersense?
And finally, the most well-know goober of them all:
Old old man. When people combine all of them, there's age discourse, but I like to think this is a completley seperate variant (see: getting bitten by a radioactive spider, being a private eye) and also he is much older. Up to you how much. Father of Peni Parker, definitely going to accidentally adopt his younger selves. Doesn't mean hes not also very pathetic sad depressed emo man (/pos).
Hi so in stars and time is effectively altering my brain chemistry and like, entire life.
Here I thought this was gonna just be a chill time of me discovering a new game I'd enjoy
Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??
As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue
the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD
He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.
like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...
The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"
and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it
does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING
like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow
For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat
Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation
Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with
Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)
But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time
Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell
Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch
idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room
PAIN. SO MUCH PAIN. IMMENSE UNCUREABLE PAIN
Any damian wayne headcanons?
The reason he wears headphones all the time is because he’s hypersensitive to small sounds. It’s part of his assassin training– it helps to anticipate attacks– but he can’t shut it off, so the only way he can relax is to block out sound completely. That also means that if he wears his headphones in front of you, it’s a gesture of trust. He knows that you’re not going to attack him, and he’s safe.
He’s cold all the time. It’s a side effect of returning from the dead, and it’s been happening ever since he lost his powers. It feels like his heartbeat is too weak to warm him up. Same for Jason.
He likes affectionate contact, but the only person he’s comfortable hugging is Bruce, and only when Bruce initiates. He compensates by picking fights with other members of his family– that way it’s physical, but it doesn’t give him away. He doesn’t consciously know he’s doing it. Sometimes he gets upset and thinks, “You know, I kind of feel like punching Drake today,” and rolls with it from there.
He’s the self-appointed keeper of his family’s health. Most of the time, Dick and Bruce are too distracted to notice if somebody else is struggling, so Damian notices for them. He keeps track of everybody, then feeds the information to Alfred, who helps him take care of it. The rest of the family has no idea.
The reason he likes animals so much is because they can’t judge him– if he’s kind to them, they’re kind back. No complications. They don’t know his past.
His entire life is a struggle to live up to the expectations that have been set for him. He acts so arrogant because he knows that he has to be the best, and if he fails, he doesn’t have much to fall back on. He’s just scared that he isn’t good enough.
things that bring me physical pain: this
In Sonic Battle (2004), Due to her research on Professor Gerald's research files, Rouge confirms that Shadow and Emerl have souls. (Despite Emerl being found by him in a separate project.) Souls both created to be exactly identical to Maria Robotnik's. Shadow was previously unaware of this.